A Participant Observer: Dealing with Political Voice in William Kentbridge’s “Drawings for Projection”
Jul 30th, 2009 | By Rotem Ruff | Category: Special Topic Issues, Whose voice is this anyway?William Kentridge’s works are overtly political; his entire oeuvre revolves around South Africa’s troubled history and torn identity. But as an affluent, educated, white male, can he really give a voice to the oppressed? The question has to do less with legitimacy (i.e. does he have a right to do so) and more with the [...]
